There is something intrinsically Zen about the making of
jewelry. If you’ve ever taken a look at my jewelry you’ll know that I employ a wide
array of techniques in my pieces. Long ago I stopped using any technique that
requires top-grade ventilation, fire and strong chemicals for my safety; but
most importantly, the safety of others! While I loved metalsmithing all those years
ago, at this time in my life, my preference is one of wrapping and twisting
wire, tossing it with gemstones, rocks, glass and chain and discovering just what
turns up when all is said and done. Unlike the old metalsmithing days, nothing
I do today starts with a sketch or drawing of any type; and I like that. I’m very
kinesthetic and so I dump beads of all types onto the work bench, and play a game
of mix and match until I am happy with what I see. No design technique really
or is there a method to my madness?
Design technique or not, I know that it is usually fun at the end of the day when I take a look at how things unfolded in the semi-finished pieces. I never give a critical eye at this point. I'm afraid that would be too harsh. Instead I turn out the lights, shut down the shop and focus on other projects – none of which relate to jewelry! In the morning, I’ll come back to the studio and with a fresh eye I allow the critical self to make suggestions and adjustments if needed. It’s at this point that pieces either move forward for production in very small batches or they will find a space in my personal collection and never see the light of the jewelry site/shop. Not quite sure what aspect pushes the design one way or another. I do know that if components are exorbitantly expensive or hard to come by, the piece usually becomes a one-of-a-kind and seldom goes up for sale. Of course, there are exceptions to this rule all the time and a few pieces are sold as one-of-a-kind much like you would find in a gallery; but the numbers each year are pretty small.
Design technique or not, I know that it is usually fun at the end of the day when I take a look at how things unfolded in the semi-finished pieces. I never give a critical eye at this point. I'm afraid that would be too harsh. Instead I turn out the lights, shut down the shop and focus on other projects – none of which relate to jewelry! In the morning, I’ll come back to the studio and with a fresh eye I allow the critical self to make suggestions and adjustments if needed. It’s at this point that pieces either move forward for production in very small batches or they will find a space in my personal collection and never see the light of the jewelry site/shop. Not quite sure what aspect pushes the design one way or another. I do know that if components are exorbitantly expensive or hard to come by, the piece usually becomes a one-of-a-kind and seldom goes up for sale. Of course, there are exceptions to this rule all the time and a few pieces are sold as one-of-a-kind much like you would find in a gallery; but the numbers each year are pretty small.
As for the “mass marketability” of any one piece – over the
years I have been approached and explored opportunities to ghost design for other manufacturers.
Sometimes I think it would be fun to see thousands of my pieces lined up on
store shelves of large clothing chains and sold through electronic outlets; but,
somehow, all of the group planning and kanoodling that goes into making a
product en mass, I fear, would take the fun out of jewelry-making for me. I
know…probably not the best financial thinking…but for now, I am quite content
doing small production runs, working with a tiny team of local craftspeople
when necessary, and knowing that only a handful of you will be able to style my
pieces in your own unique way. No cookie-cutter looks for you!
As for the Zen of it all – there is something quite soothing
for me in the repetitive nature of many of the techniques I use day in and day
out. The bending and twisting of wire to achieve a perfect wrap gives me great
satisfaction. Having one of you comment on something as minute as the perfection
of my wrapping technique – I know it sounds crackers – but it makes me happy to
know that the quality gets noticed. My immense love of and obsession with small
things is nourished everyday—and taking those small things and artistically putting
them together to make pretty bigger things brings me joy. So see…while it can
be frustrating at times…it really is a bit of therapy for my
soul. That’s what keeps me going every day.
P.S. Curious…do you fret over the minutiae of life
or are you a big picture thinker? I look forward to reading your comments. And,
now I am pondering which I might be…when it comes to life. Also, I appreciate you sticking with me here while I go though the process of learning to use my new camera, struggling with a new photo set in the process. All this technology is giving this granny a headache!! But...oddball that I am...I love it!
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